目录
| 正面描述 | Bare-headed bust of Prince Carol I facing right, with short hair and a trimmed beard, rendered in high relief with fine detail to the facial features and hair. The circumferential legend reads CAROL I° DOMNU AL ROMÂNILOR, separated by a stop at the conclusion. The engraver's signature WYON appears incuse on the truncation of the neck. The design is framed by a beaded border. |
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| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Central field displays the denomination 50 BANI in two lines of bold Roman numerals and lettering, enclosed within a wreath composed of an olive branch on the left and an oak branch on the right, tied at the base with a ribbon. The country name ROMANIA arches across the upper field, with individual letters spaced between the wreath tips. The date 1869 appears in the exergue below the wreath. Small five-pointed stars flank the wreath at mid-height, and the design is framed by a beaded border. |
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| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Romania's monetary system was barely two years old when this pattern was struck — the leu had only been formally established in 1867, modeled on the Latin Monetary Union framework. Carol I, freshly installed as hereditary prince following the ousting of Alexandru Ioan Cuza, was still in the process of asserting dynastic legitimacy, and coinage carried obvious political weight in that effort. Pattern strikes of this period were often produced in multiple metals to present options to the nascent monetary authority, with white metal serving as a neutral proof-of-concept material rather than a proposed circulation alloy.