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5 Yuan Bank of China
| Uitgever | Bank of China |
|---|---|
| Jaar | 1931 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Thomas De La Rue & Company, London, United Kingdom |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Printed in orange and black, the obverse presents a vignette of the Temple of Heaven at left, with an expansive landscape and mountain range occupying the right portion of the note. Bilingual inscriptions in Chinese and English identify the issuing bank and denomination, framed by ornate guilloche borders typical of De La Rue engraving work. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The reverse carries the name and title of the Bank of China rendered in both Chinese characters and English lettering, set within a decorative guilloche underprint. The overall design is consistent with the orange and black colour scheme of the issue. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Bank of China's 1931 series was printed by De La Rue during a period when the Chinese banking system was consolidating around a handful of government-backed institutions. The Bank of China had been reorganized under Nationalist government control in 1928, and the notes issued in the years immediately following reflect that transition — De La Rue was a deliberate choice, lending the paper a credibility that domestic printing could not yet reliably provide.
P#70 is complicated by the fact that multiple regional overprints exist for this series, and unoverprinted examples and branch-specific versions can be misattributed to each other. The watermark — thin and often faint on surviving examples — is one of the more reliable points of authentication when paper has aged.