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| 表面の説明 | Printed in orange and black, the obverse presents a vignette of the Temple of Heaven at left, with an expansive landscape and mountain range occupying the right portion of the note. Bilingual inscriptions in Chinese and English identify the issuing bank and denomination, framed by ornate guilloche borders typical of De La Rue engraving work. |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse carries the name and title of the Bank of China rendered in both Chinese characters and English lettering, set within a decorative guilloche underprint. The overall design is consistent with the orange and black colour scheme of the issue. |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Bank of China's 1931 series was printed by De La Rue during a period when the Chinese banking system was consolidating around a handful of government-backed institutions. The Bank of China had been reorganized under Nationalist government control in 1928, and the notes issued in the years immediately following reflect that transition — De La Rue was a deliberate choice, lending the paper a credibility that domestic printing could not yet reliably provide.
P#70 is complicated by the fact that multiple regional overprints exist for this series, and unoverprinted examples and branch-specific versions can be misattributed to each other. The watermark — thin and often faint on surviving examples — is one of the more reliable points of authentication when paper has aged.