Katalog
| Emitent | Slovenia |
|---|---|
| Rok | 1994 |
| Typ | Commemorative circulation coin |
| Nominał | 5 Tolarjev (5 SIT) |
| Waluta | Tolar (1991-2006) |
| Skład | Nickel brass (78% Copper, 20% Zinc, 2% Nickel) |
| Waga | 6.4 g |
| Średnica | 26 mm |
| Grubość | 1.7 mm |
| Kształt | Round |
| Technika | Milled |
| Orientacja | Medal alignment ↑↑ |
| Rytownik(zy) | |
| W obiegu do | 14 January 2007 |
| Źródło(a) | KM#16, Čop#350.05 |
| Opis awersu | Value and date |
|---|---|
| Pismo awersu | Latin |
| Legenda awersu | PET TOLARJEV 5 REPUBLIKA SLOVENIJA 1994 |
| Opis rewersu | Quill Ancient Slavic writing |
| Pismo rewersu | Glagolitic, Latin |
| Legenda rewersu | GLAGOLITE PO NAZ BRIŽINSKI SPOMENIKI ŠKOF ABRAHAM 994 - 1994 |
| Krawędź | 170 reeds. |
| Mennica | |
| Nakład |
1994 - - 200 000 |
| ID Numisquare | 4133555230 |
| Dodatkowe informacje |
Historical Context: Issued in 1994, this 5 Tolarjev coin commemorates a cornerstone of Slovenian identity shortly after its 1991 independence. It celebrates Bishop Abraham of Freising (active 957-993) and the Freising Manuscripts (Brižinski spomeniki), the oldest surviving texts in Slovene and the earliest Slavic writings in Latin script from the late 10th century. This issue underscores Slovenia's profound linguistic and cultural heritage, asserting its distinct historical narrative as a newly independent nation.
Artistry: The coin's design exemplifies modern commemorative numismatics, merging historical representation with clear artistry. The obverse presents a dignified portrait of Bishop Abraham, rendered illustratively. The reverse visually interprets the Freising Manuscripts, depicting open pages with distinct lettering, symbolizing the genesis of written Slovene. This stylistic approach ensures immediate recognition and celebration of the nation's linguistic foundation, common for significant cultural heritage themes.
Technical/Grading: Struck in nickel brass (78% Copper, 20% Zinc, 2% Nickel), weighing 6.4 grams and 26 mm, this coin demonstrates modern minting precision. For grading, crucial high-points include Bishop Abraham's hair, brow, and cheekbones, and the intricate details of the manuscript text on the reverse. Well-struck examples exhibit crisp lines, full design separation, and clean fields. Strike weakness typically manifests in finer script details or the highest relief points of the portrait.