目录
| 发行方 | Samoa |
|---|---|
| 年份 | 1967 |
| 类型 | Standard circulation coin |
| 面值 | 5 Sene (0.05 WST) |
| 货币 | Tala (1967-date) |
| 材质 | Copper-nickel |
| 重量 | 2.83 g |
| 直径 | 19.41 mm |
| 厚度 | 1.3 mm |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | Thomas Humphrey Paget |
| 流通至 | |
| 参考资料 | KM#3 |
| 正面描述 | Portrait of Malietoa Tanumafili II facing left. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 |
MALIETOA TANUMAFILI II SAMOA I SISIFO HP (Translation: Western Samoa) |
| 背面描述 | Southern Cross surrounds denomination in wreath, date above. |
| 背面文字 | Latin |
| 背面铭文 | 1967 SE 5 NE |
| 边缘 | Reeded |
| 铸币厂 | |
| 铸造量 |
1967 - - 400 000 1967 - Proof - 15 000 |
| Numisquare 编号 | 1791404030 |
| 附加信息 |
Historical Context: The 1967 5 Sene coin marks a pivotal moment in Samoan numismatic history, being among the earliest issues for the newly independent nation. Malietoa Tanumafili II, depicted on the obverse, served as Samoa's O le Ao o le Malo (head of state) for life following independence in 1962. This coinage represents a definitive break from colonial currency, asserting Samoa's sovereignty and national identity through its own distinct monetary system, featuring its revered leader.
Artistry: Struck at the Royal Mint, London, the coin reflects a post-colonial numismatic style common for Commonwealth nations, blending traditional portraiture with indigenous motifs. While the specific engraver for this denomination is uncredited, the obverse features a dignified effigy of Malietoa Tanumafili II. The reverse showcases a stylized breadfruit tree, a vital staple and symbol of prosperity in Samoan culture, rendered with clean lines and balanced composition, characteristic of the era's modern coin design.
Technical/Grading: Composed of copper-nickel, this 5 Sene coin typically exhibits a strong strike. Key high-points for grading include the definition of Malietoa Tanumafili II's hair and facial features on the obverse. On the reverse, attention should be paid to the intricate details of the breadfruit leaves and the texture of the fruit itself. Uncirculated examples will display full luster in the fields and sharp separation of design elements from the background, with minimal evidence of die wear or contact marks.