Katalog
| İhraççı | Samoa |
|---|---|
| Yıl | 1967 |
| Tür | Standard circulation coin |
| Değer | 5 Sene (0.05 WST) |
| Para birimi | Tala (1967-date) |
| Bileşim | Copper-nickel |
| Ağırlık | 2.83 g |
| Çap | 19.41 mm |
| Kalınlık | 1.3 mm |
| Şekil | Round |
| Teknik | Milled |
| Yönlendirme | Medal alignment ↑↑ |
| Gravürcü(ler) | Thomas Humphrey Paget |
| Dolaşımda olduğu yıl | |
| Referans(lar) | KM#3 |
| Ön yüz açıklaması | Portrait of Malietoa Tanumafili II facing left. |
|---|---|
| Ön yüz yazısı | Latin |
| Ön yüz lejandı |
MALIETOA TANUMAFILI II SAMOA I SISIFO HP (Translation: Western Samoa) |
| Arka yüz açıklaması | Southern Cross surrounds denomination in wreath, date above. |
| Arka yüz yazısı | Latin |
| Arka yüz lejandı | 1967 SE 5 NE |
| Kenar | Reeded |
| Darphane | |
| Basma adedi |
1967 - - 400 000 1967 - Proof - 15 000 |
| Numisquare Kimliği | 1791404030 |
| Ek bilgiler |
Historical Context: The 1967 5 Sene coin marks a pivotal moment in Samoan numismatic history, being among the earliest issues for the newly independent nation. Malietoa Tanumafili II, depicted on the obverse, served as Samoa's O le Ao o le Malo (head of state) for life following independence in 1962. This coinage represents a definitive break from colonial currency, asserting Samoa's sovereignty and national identity through its own distinct monetary system, featuring its revered leader.
Artistry: Struck at the Royal Mint, London, the coin reflects a post-colonial numismatic style common for Commonwealth nations, blending traditional portraiture with indigenous motifs. While the specific engraver for this denomination is uncredited, the obverse features a dignified effigy of Malietoa Tanumafili II. The reverse showcases a stylized breadfruit tree, a vital staple and symbol of prosperity in Samoan culture, rendered with clean lines and balanced composition, characteristic of the era's modern coin design.
Technical/Grading: Composed of copper-nickel, this 5 Sene coin typically exhibits a strong strike. Key high-points for grading include the definition of Malietoa Tanumafili II's hair and facial features on the obverse. On the reverse, attention should be paid to the intricate details of the breadfruit leaves and the texture of the fruit itself. Uncirculated examples will display full luster in the fields and sharp separation of design elements from the background, with minimal evidence of die wear or contact marks.