5 Santīmāt

発行体 Comoro Islands
年号 1891
種類 Standard circulation coin
額面 5 Centimes (0.05)
通貨 Franc (1889-1945)
材質 Bronze
重量 5 g
直径 25 mm
厚さ 1.22 mm
形状 Round
製造技法 Milled
向き Coin alignment ↑↓
彫刻師 Henri-Auguste Patey
流通終了年
参考文献 KM#1, Lec#1, Schön#1, Kahnt/Schön#1, Val CCMS#1
表面の説明
表面の文字体系 Arabic
表面の銘文 يجة سلطان انجز سيد علي ابن سيد عمر حماية دولة فرنسا الفخيمة
(Translation: Sultan of Ngazidja Said Ali ibn Said Omar (within beaded circle) Protectorate of the glorious French republic (outside beaded circle))
裏面の説明
裏面の文字体系 Arabic
裏面の銘文 ٥ س دولة نجزيجة حرسها اللة ١٣٠٨
(Translation: 5 Centimes State of Ngazidja God guard it Year 1308)
Plain
鋳造所 (A)
Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
鋳造数 1308 (1891) A - KM#1.1 - 100 200
1308 (1891) A - KM#1.2 - 200 000
Numisquare ID 5395092890
追加情報

Historical Context: The 1891 5 Santīmāt marks a pivotal moment in Comorian numismatic history. Issued under Sultan Said Ali bin Said Omar of Grande Comore, it emerged during increasing French protectorate influence, formally established in 1886. As the inaugural standardized coinage (KM#1, Lec#1, Schön#1), its introduction signified a profound shift from diverse foreign trade currencies to a formalized, French-aligned monetary system. This bronze issue exemplifies late 19th-century colonial efforts to integrate protectorates into metropolitan economic frameworks.

Artistry: While the engraver is unrecorded, the 5 Santīmāt reflects typical French colonial coinage, likely from the Monnaie de Paris. The stylistic school blends functional design with local linguistic needs. The obverse features Sultan Said Ali's name and titles in elegant Arabic script. The reverse displays the denomination, "5 Santīmāt," and the 1891 date, also in Arabic, often within a simple ornamental border. The "Santīmāt" nomenclature directly reflects French monetary influence, balancing legibility and traditional Islamic aesthetic.

Technical/Grading: Struck in bronze, the 1891 5 Santīmāt typically exhibits low to medium relief. For grading, high-points of wear occur on the raised edges of the Arabic calligraphy, particularly the central elements of the Sultan's name and denomination. Any surrounding ornamentation also shows early abrasion. Technical strike qualities vary; while generally well-centered, some examples display minor planchet imperfections or a softer strike, diminishing finer script or peripheral details. A sharp strike is crucial for showcasing the Arabic text's clarity.

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