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5 Rupees Golden Jubilee of Independence
| Uitgever | State Bank of Pakistan |
|---|---|
| Jaar | 1997 |
| Type | Commemorative banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | The central vignette presents a detailed intaglio rendering of the Tomb of Shah Rukn-e-Alam in Multan, the 14th-century Tughlaq-era mausoleum shown amid trees against a pale green guilloche underprint. The State Bank of Pakistan seal appears in an ornate circular cartouche at upper right, with the English inscription 'STATE BANK OF PAKISTAN' across the top border. The denomination is expressed in both Western numerals '5' at lower right and the legend 'FIVE RUPEES' at bottom center, with an Urdu religious inscription running along the lower margin. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Portrait watermark of Quaid-i-Azam Mohammed Ali Jinnah, visible when held to light. |
| Varianten | Log in om details te zien |
| Opmerkingen |
Issued to mark fifty years of Pakistani independence, this note was printed domestically by PSPC rather than contracted abroad — a point of quiet national pride for a security printing operation that had spent much of its earlier history dependent on foreign presses. By 1997, PSPC in Karachi had the capacity to handle commemorative runs entirely in-house.
The watermark is the sole listed security feature, which reflects the commemorative rather than high-security nature of the issue. Circulated examples are common; the note saw genuine use rather than being treated purely as a collector piece.