5 Riyals - Rashid 2 dates

发行方 Ajman
年份 1969
类型 Non-circulating coin
面值 5 Riyals
货币 Riyal (1966-1973)
材质 Silver (.835)
重量 15 g
直径 31 mm
厚度
形状 Round
制作工艺 Milled
方向 Medal alignment ↑↑
雕刻师
流通至 1973
参考资料 KM#3.1, Schön#3.1
正面描述 Denomination within circle
正面文字 Arabic, Latin
正面铭文 ★ حُكُومَة عَجمَان وَتوابعهَا ★ ٥ ريال 5 RIYALS GOVERNMENT OF AJMAN & ITS DEP.
(Translation: Government of Ajman and its dependencies 5 Riyals)
背面描述 Chicken below state emblem and date in Islamic and Gregorian in Arabic
背面文字 Arabic
背面铭文 ١٣٨٩ ١٩٦٩
(Translation: 1969-1389)
边缘 Reeded
铸币厂
铸造量 1389 (1969) - ١٣٨٩-١٩٦٩ - 10 000
1389 (1969) - ١٣٨٩-١٩٦٩ Mint Sets (KM#MS1 Horizontal Type) -
1389 (1969) - ١٣٨٩-١٩٦٩ Mint Sets (KM#MS1 Vertical Type) -
1389 (1969) - ١٣٨٩-١٩٦٩ Proof Sets only (KM#PS1) - 1 200
Numisquare 编号 1211493330
附加信息

Historical Context: Issued in 1969, this 5 Riyals coin originates from Ajman, a Trucial State prior to the 1971 formation of the United Arab Emirates. Sheikh Rashid bin Humaid Al Nuaimi III governed from 1928 to 1981. During this era, Ajman issued collector-oriented silver coinage to generate revenue and assert sovereignty. The "2 dates" refers to the dual Gregorian (1969) and corresponding Hijri year, a common feature on Islamic coinage, underscoring its cultural context.

Artistry: The coin's design typically features a dignified portrait of Sheikh Rashid bin Humaid Al Nuaimi III on the obverse, rendered in a contemporary, realistic style common to official coinage of the late 1960s. While specific engraver details are often unrecorded, the aesthetic aligns with a modern numismatic school, prioritizing clear legibility and regal representation. The reverse displays the denomination, issuer (Ajman), and dual dates, often framed by decorative elements, blending traditional Arabic calligraphy with modern design.

Technical/Grading: Struck in .835 silver, weighing 15 grams and measuring 31 millimeters, this coin adheres to standard specifications. For grading, key high-points on the obverse include the highest planes of Sheikh Rashid's headdress, beard, and facial contours. On the reverse, critical areas are the raised Arabic script, denomination numerals, and fine details within decorative motifs. These issues were generally well-struck for collectors, though minor planchet flaws or slight softness on high points can occur.

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