查看完整图片 — 免费注册
使用Google继续 — 免费 或用邮箱注册

5 Piastres Violet

发行方 Banque de l'Indochine
年份 1942-1945
类型 登录 以查看详情
面值 登录 以查看详情
货币 登录 以查看详情
材质 登录 以查看详情
尺寸 登录 以查看详情
形状 登录 以查看详情
印刷机构 Imprimerie d'Extrême-Orient, Hanoi, French Indochina (1939-1945)
设计师 登录 以查看详情
雕刻师 登录 以查看详情
流通至 登录 以查看详情
参考资料 登录 以查看详情
正面描述 登录 以查看详情
正面铭文 BANQUE DE L'INDOCHINE CINQ PIASTRES L'INSPECTEUR GÉNÉRAL LE DIRECTEUR DE LA SUCCURSALE DE SAIGON L'ARTICLE 139 DU CODE PÉNAL PUNIT DES TRAVAUX FORCÉS CEUX QUI AURONT CONTREFAIT OU FALSIFIÉ LES BILLETS DE BANQUES AUTORISÉES PAR LA LOI. PHAM-NGOC-KHUË IDEO. HANOI 伍元
背面描述 Pink and brown note centred on a vignette of a traditional Vietnamese multi-tiered pavilion set at the water's edge amid trees, enclosed within a rectangular frame with ornamental corner devices each bearing the numeral 5. The Vietnamese title GIẤY NĂM ĐỒNG VÀNG is printed across the top, with a serial number and letter above the central scene, and a row of Chinese characters occupying the lower border.
背面铭文 登录 以查看详情
签名 登录 以查看详情
防伪类型 登录 以查看详情
防伪描述 登录 以查看详情
变体 登录 以查看详情
备注

Wartime necessity drove this note's entire production story. With maritime routes severed and communication with metropolitan France effectively broken after 1940, the Banque de l'Indochine was forced to rely entirely on local resources — hence the Imprimerie d'Extrême-Orient in Hanoi, a facility originally established for printing government documents, not banknotes. The design credit to Phạm Ngọc Khuê is one of the rare documented instances of a Vietnamese artist receiving attribution on an Indochinese colonial issue.

The Japanese takeover of French administrative functions in March 1945 rendered the entire circulating note stock politically complicated overnight.