Katalog
| Emittent | General Treasury of the Republic |
|---|---|
| Jahr | 1934-1949 |
| Typ | Standard circulation banknote |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Central vignette of General Máximo Gómez within an oval guilloche frame, flanked by the numeral 5 in intaglio at right and the word CINCO in bold letterpress at left. The red circular seal of the General Treasury of the Republic appears at left, with red serial number printed twice on the note. The overall colour scheme combines black intaglio printing with blue and orange underprint, and the lower border bears the legend CERTIFICADO DE PLATA. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | P#70a - 1934 P#70b - 1936 P#70c - 1936A P#70d - 1938 P#70e - 1943 P#70f - 1945 P#70g - 1948 P#70h - 1949 |
| Anmerkungen |
Cuba's silver certificate series of the 1930s and 1940s was tied directly to peso-dollar parity — each note was theoretically redeemable in silver coin, a guarantee the Cuban treasury maintained with unusual discipline relative to other Latin American issuers of the period. The Batista-era fiscal apparatus kept the peso at one-to-one with the U.S. dollar through most of this note's circulation life, which made the silver redemption promise largely academic but politically useful.
BEP production meant consistent intaglio quality throughout the run. The long issue window — fifteen years — suggests steady reorders rather than a single large print run, though precise mintage figures by year remain unpublished in standard references.