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5 Livres LIBAN 1939

Uitgever Banque de Syrie et du Grand-Liban
Jaar 1939
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Log in om details te zien
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) P#13
Beschrijving voorzijde The obverse is centred on an elaborate Moorish arch vignette executed in fine intaglio, set within a richly layered geometric underprint in green and pink with stylised arabesque and floral border ornamentation. A black overprint reading "LIBAN 1939" and the Arabic denomination "خمس ليرات" appear at centre above two manuscript signatures and a block of Arabic legal-tender text, while serial number and prefix panels occupy the upper corners with the numeral 5 rendered in green at upper left. Engraver credits "J. DEMARCQ FEC. L.J. SOULAS SC." appear in small letterpress at the lower margin.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Opschrift keerzijde BANQUE DE SYRIE ET DU GRAND-LIBAN
LIBAN
CINQ LIVRES
REMBOURSABLES AU PORTEUR EN CHEQUE SUR PARIS OU MARSEILLE
A RAISON DE VINGT FRANCS PAR LIVRE
J. DEMARCQ FEC. HOURRIEZ SC.
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

The Banque de Syrie et du Grand-Liban was a French-chartered institution operating under the mandate system, and by 1939 its days were effectively numbered — the mandate itself was being wound down politically, and the outbreak of war would accelerate the institutional rupture between Syria and Lebanon. This note was printed at the Banque de France's own workshops in Paris, a prestige arrangement that reflects the issuing bank's colonial-era relationship with French monetary infrastructure rather than any local printing capacity.

Soulas was among the more accomplished intaglio engravers working for the Banque de France in this period. Hourriez handled the reverse. The pairing was typical of how the BdF divided labor across complex multi-color intaglio jobs.

MISSCHIEN OOK INTERESSANT