カタログ
登録が必要な理由は?ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します!
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | The reverse carries a central intaglio vignette of a grand colonnaded Levantine edifice enclosed within Moorish arched borders and geometric guilloche panels in teal, pink, and ochre. The issuer's name "BANQUE DE SYRIE ET DU GRAND-LIBAN" runs across the top, a red overprint cartouche reading "LIBAN" appears below it, and the denomination "CINQ LIVRES" is set in a panel at the foot above a French redemption clause; the numeral 5 occupies both upper corners in green. The engraver credit "J. DEMARCQ FEC. HOURRIEZ SC." is present in small letterpress at the lower margin. |
| 裏面の銘文 | BANQUE DE SYRIE ET DU GRAND-LIBAN LIBAN CINQ LIVRES REMBOURSABLES AU PORTEUR EN CHEQUE SUR PARIS OU MARSEILLE A RAISON DE VINGT FRANCS PAR LIVRE J. DEMARCQ FEC. HOURRIEZ SC. |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
| バリエーション | ログイン して詳細を見る |
| コメント |
The Banque de Syrie et du Grand-Liban was a French-chartered institution operating under the mandate system, and by 1939 its days were effectively numbered — the mandate itself was being wound down politically, and the outbreak of war would accelerate the institutional rupture between Syria and Lebanon. This note was printed at the Banque de France's own workshops in Paris, a prestige arrangement that reflects the issuing bank's colonial-era relationship with French monetary infrastructure rather than any local printing capacity.
Soulas was among the more accomplished intaglio engravers working for the Banque de France in this period. Hourriez handled the reverse. The pairing was typical of how the BdF divided labor across complex multi-color intaglio jobs.