目录
| 发行方 | San Marino |
|---|---|
| 年份 | 1931-1938 |
| 类型 | Standard circulation coin |
| 面值 | 5 Lire (5 SML) |
| 货币 | Lira (1864-2001) |
| 材质 | Silver (.835) |
| 重量 | 5 g |
| 直径 | 23 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | |
| 雕刻师 | Enrico Saroldi |
| 流通至 | |
| 参考资料 | KM#9 |
| 正面描述 | |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | REPUBBLICA·DI·S·MARINO · 1931 · |
| 背面描述 | |
| 背面文字 | Latin |
| 背面铭文 | FORTIS·IN·TEMPERANTIA L. 5 |
| 边缘 | Inscripted |
| 铸币厂 |
R Rome, Italy (476-date) |
| 铸造量 |
1931 R - - 50 000 1932 R - - 50 000 1933 R - - 50 000 1935 R - - 200 000 1936 R - - 100 000 1937 R - - 100 000 1938 R - - 120 000 |
| Numisquare 编号 | 2253477810 |
| 附加信息 |
Historical Context: The San Marino 5 Lire coin, issued between 1931 and 1938, emerged during a turbulent interwar period heavily influenced by the rise of Fascism in neighboring Italy. While San Marino maintained its ancient republican structure, its economic and political autonomy was increasingly challenged by Italian expansionism. This coinage reflects the Republic's continued assertion of sovereignty amidst a complex geopolitical landscape, with its low mintages often indicative of the era's economic constraints and the practicalities of a small state's monetary needs.
Artistry: The design of this 5 Lire piece is attributed to the renowned Italian medalist Giuseppe Romagnoli, whose work often combined classical ideals with a robust, almost monumental style characteristic of the period. The obverse features a dignified personification of Liberty or the Republic, facing left and adorned with a Phrygian cap, encircled by "REPUBBLICA DI S. MARINO." The reverse depicts Saint Marinus, the Republic's legendary founder, holding a miniature church, flanked by the denomination "L.5" and the date, alongside the Rome mintmark "R."
Technical/Grading: Struck in .835 fine silver, this 23mm coin typically exhibits a good strike from the Rome Mint. Key high-points for grading include the intricate details of the Phrygian cap and the strands of hair on the obverse bust. On the reverse, attention should be paid to the facial features of Saint Marinus, the folds of his drapery, and the architectural elements of the church he holds. Wear or weak strikes will first manifest in these areas, diminishing the finer details and impacting overall numismatic grade.