5 Lire

Đơn vị phát hành San Marino
Năm 1931-1938
Loại Standard circulation coin
Mệnh giá 5 Lire (5 SML)
Tiền tệ Lira (1864-2001)
Chất liệu Silver (.835)
Trọng lượng 5 g
Đường kính 23 mm
Độ dày
Hình dạng Round
Kỹ thuật Milled
Hướng
Nghệ nhân khắc Enrico Saroldi
Lưu hành đến
Tài liệu tham khảo KM#9
Mô tả mặt trước
Chữ viết mặt trước Latin
Chữ khắc mặt trước REPUBBLICA·DI·S·MARINO · 1931 ·
Mô tả mặt sau
Chữ viết mặt sau Latin
Chữ khắc mặt sau FORTIS·IN·TEMPERANTIA L. 5
Cạnh Inscripted
Xưởng đúc R
Rome, Italy (476-date)
Số lượng đúc 1931 R - - 50 000
1932 R - - 50 000
1933 R - - 50 000
1935 R - - 200 000
1936 R - - 100 000
1937 R - - 100 000
1938 R - - 120 000
ID Numisquare 2253477810
Thông tin bổ sung

Historical Context: The San Marino 5 Lire coin, issued between 1931 and 1938, emerged during a turbulent interwar period heavily influenced by the rise of Fascism in neighboring Italy. While San Marino maintained its ancient republican structure, its economic and political autonomy was increasingly challenged by Italian expansionism. This coinage reflects the Republic's continued assertion of sovereignty amidst a complex geopolitical landscape, with its low mintages often indicative of the era's economic constraints and the practicalities of a small state's monetary needs.

Artistry: The design of this 5 Lire piece is attributed to the renowned Italian medalist Giuseppe Romagnoli, whose work often combined classical ideals with a robust, almost monumental style characteristic of the period. The obverse features a dignified personification of Liberty or the Republic, facing left and adorned with a Phrygian cap, encircled by "REPUBBLICA DI S. MARINO." The reverse depicts Saint Marinus, the Republic's legendary founder, holding a miniature church, flanked by the denomination "L.5" and the date, alongside the Rome mintmark "R."

Technical/Grading: Struck in .835 fine silver, this 23mm coin typically exhibits a good strike from the Rome Mint. Key high-points for grading include the intricate details of the Phrygian cap and the strands of hair on the obverse bust. On the reverse, attention should be paid to the facial features of Saint Marinus, the folds of his drapery, and the architectural elements of the church he holds. Wear or weak strikes will first manifest in these areas, diminishing the finer details and impacting overall numismatic grade.

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