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5 Lei - Ferdinand I Pattern Strike
| Emittent | Romania |
|---|---|
| Jahr | 1922 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Round |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | The numeral 5 dominates the left-centre field in large raised relief, accompanied by the denomination legend LEI to its right. The Royal Crown of Romania, rendered in detailed relief with pearled arches and a cross surmounting the orb, is positioned at the top of the field above the denomination. A sprig of two wheat ears with long awns extends diagonally from the right field toward the lower border. The entire design is framed by a beaded border. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Plain |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Romania's postwar coinage reform was slow and politically fraught — Ferdinand I had been king since 1914, but a unified national coinage reflecting the expanded Romanian state after 1918 took years to materialize. This 1922 copper-nickel pattern was part of that exploratory process, testing compositions and designs before the eventual circulating issues were finalized. Pattern strikes of this type were produced in very small numbers, intended for official review rather than distribution.
KM#Pn193 is among several competing pattern submissions from this period, making die-specific attribution sometimes difficult without reference to major collections.