目录
| 发行方 | Madagascar |
|---|---|
| 年份 | 1953 |
| 类型 | Coin pattern |
| 面值 | 5 Francs |
| 货币 | CFA franc (1945-1963) |
| 材质 | Aluminium |
| 重量 | 3.5 g |
| 直径 | 31 mm |
| 厚度 | 2.9 mm |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | Coin alignment ↑↓ |
| 雕刻师 | Lucien Georges Bazor |
| 流通至 | |
| 参考资料 | KM#E3 |
| 正面描述 | Female personification of the French Republic, wearing winged Phrygian cap with French tricolor left. Cargo ships in background. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | REPUBLIQUE FRANÇAISE ESSAI 1953 L.BAZOR GB |
| 背面描述 | Value above three conjoined Zebu heads, flanked by sprays, value within horns. |
| 背面文字 | Latin |
| 背面铭文 | 5 FRANCS MADAGASCAR |
| 边缘 | Smooth |
| 铸币厂 |
Monnaie de Paris, Paris (and Pessac starting 1973), France (864-date) |
| 铸造量 |
1953 - - 1 200 |
| Numisquare 编号 | 5165791460 |
| 附加信息 |
Historical Context: The 1953 5 Francs Essai from Madagascar emerges from a pivotal period in French colonial history, following the Second World War. Madagascar was then an integral part of the French Union, administered as an overseas territory. This Essai, or trial strike, signifies a phase of monetary experimentation by French authorities, likely aimed at introducing new, lightweight currency suitable for the local economy. The choice of aluminium reflects a broader post-war trend towards more cost-effective materials within the French colonial monetary system.
Artistry: The artistic direction of this 5 Francs Essai typically aligns with the post-war French numismatic style, characterized by a blend of classical simplicity and functional design. While a specific engraver is not commonly attributed for many colonial essais of this period, the design would have originated from artists at the Monnaie de Paris. The coin’s design generally features the denomination, "5 FRANCS," prominently, often encircled by the territory name "MADAGASCAR" and the year, prioritizing clarity and legibility for this experimental prototype.
Technical/Grading: Struck in aluminium, this 31 mm, 3.5-gram Essai presents unique characteristics for grading. High points for wear or strike weakness would typically include the raised lettering, the edges of the numerals, and any central devices. Aluminium, being a soft metal, often exhibits a somewhat muted luster and can show minor softness in the strike, particularly in finer details, even on uncirculated examples. Essais, however, sometimes benefit from careful production, potentially displaying a sharper strike than circulating counterparts, making full, crisp details a desirable quality.