5 Francs Essai

Issuer Madagascar
Year 1953
Type Coin pattern
Value 5 Francs
Currency CFA franc (1945-1963)
Composition Aluminium
Weight 3.5 g
Diameter 31 mm
Thickness 2.9 mm
Shape Round
Technique Milled
Orientation Coin alignment ↑↓
Engraver(s) Lucien Georges Bazor
In circulation to
Reference(s) KM#E3
Obverse description Female personification of the French Republic, wearing winged Phrygian cap with French tricolor left. Cargo ships in background.
Obverse script Latin
Obverse lettering REPUBLIQUE FRANÇAISE ESSAI 1953 L.BAZOR GB
Reverse description Value above three conjoined Zebu heads, flanked by sprays, value within horns.
Reverse script Latin
Reverse lettering 5 FRANCS MADAGASCAR
Edge Smooth
Mint Monnaie de Paris, Paris (and
Pessac starting 1973), France (864-date)
Mintage 1953 - - 1 200
Numisquare ID 5165791460
Additional information

Historical Context: The 1953 5 Francs Essai from Madagascar emerges from a pivotal period in French colonial history, following the Second World War. Madagascar was then an integral part of the French Union, administered as an overseas territory. This Essai, or trial strike, signifies a phase of monetary experimentation by French authorities, likely aimed at introducing new, lightweight currency suitable for the local economy. The choice of aluminium reflects a broader post-war trend towards more cost-effective materials within the French colonial monetary system.

Artistry: The artistic direction of this 5 Francs Essai typically aligns with the post-war French numismatic style, characterized by a blend of classical simplicity and functional design. While a specific engraver is not commonly attributed for many colonial essais of this period, the design would have originated from artists at the Monnaie de Paris. The coin’s design generally features the denomination, "5 FRANCS," prominently, often encircled by the territory name "MADAGASCAR" and the year, prioritizing clarity and legibility for this experimental prototype.

Technical/Grading: Struck in aluminium, this 31 mm, 3.5-gram Essai presents unique characteristics for grading. High points for wear or strike weakness would typically include the raised lettering, the edges of the numerals, and any central devices. Aluminium, being a soft metal, often exhibits a somewhat muted luster and can show minor softness in the strike, particularly in finer details, even on uncirculated examples. Essais, however, sometimes benefit from careful production, potentially displaying a sharper strike than circulating counterparts, making full, crisp details a desirable quality.

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