Katalog
| Emitent | Greece |
|---|---|
| Rok | 1833 |
| Typ | Coin pattern |
| Hodnota | 5 Drachmai |
| Měna | First modern drachma (1832-1944) |
| Složení | Silver |
| Hmotnost | |
| Průměr | 38 mm |
| Tloušťka | |
| Tvar | Round |
| Technika | Milled |
| Orientace | Variable alignment ↺ |
| Rytci | Traugott Ertel |
| V oběhu do | |
| Reference | Karamitsos#T.176 |
| Popis líce | Obelisk |
|---|---|
| Písmo líce | Latin |
| Opis líce | DENKMAL DER DREISSIGTAUSEND BAIERN WELCHE IM RUSS. KRIEGE DEN TOD FAN DEN |
| Popis rubu | Legend |
| Písmo rubu | Latin |
| Opis rubu | PROBE DES THALERPRÄGWERKES - F* D* KÖN* MÜNZE IN GRIECHENLAND* T* ERTEL IN MÜNCHEN* 1833* |
| Hrana | Reeded |
| Mincovna | |
| Náklad |
1833 - - |
| ID Numisquare | 3261734690 |
| Další informace |
Historical Context: This 1833 5 Drachmai Pattern coin emerges from the tumultuous early years of the Kingdom of Greece, following its independence and the installation of Otto I (Othon) as its first king in 1832. Appointed by the Great Powers, Otto, a Bavarian prince, faced the monumental task of establishing a stable monarchy and a new national identity. This pattern represents a foundational step in creating a distinct Greek monetary system, replacing disparate currencies and reviving the ancient drachma.
Artistry: The design of this pattern is characteristic of the Neoclassical style prevalent in early 19th-century European coinage, particularly influenced by the Munich Mint, where many of Greece's early dies were produced, likely under the direction of engravers like G. Voigt. The obverse typically features a regal portrait of King Otto, rendered with classical restraint. The reverse would display the newly adopted national coat of arms—a cross surmounted by a crown—alongside the denomination and date, embodying the nascent kingdom's aspirations.
Technical/Grading: As a pattern, this 5 Drachmai piece would ideally exhibit an exceptional strike, superior to later circulating issues. Key high-points for wear and strike assessment on the obverse include the highest strands of King Otto's hair, the crown details, and the ear. On the reverse, the crown atop the shield and the intricate details of the cross and surrounding wreath are critical areas. A well-preserved example retains full original luster, sharp device details, and minimal planchet imperfections, reflecting its prototype status.