Katalog
Warum registrieren? Nur um Bots aus unserem Katalog fernzuhalten. Ihre E-Mail bleibt privat — wir geben sie nie weiter und senden Ihnen nichts Unerwünschtes. Das garantieren wir Ihnen!
| Emittent | Cook Islands |
|---|---|
| Jahr | 2009 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Milled |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Right-facing diademed and draped effigy of Queen Elizabeth II, after the portrait by Ian Rank-Broadley, whose initials IRB appear below the truncation. The legend ELIZABETH II is inscribed along the left arc and COOK ISLANDS along the right arc, with the date 2009 positioned at the base of the field. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Latin |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Part of the "Great Paintings" series issued through the New Zealand Mint, this piece was produced at a moment when sub-half-gram gold coins were proliferating across Pacific island nominal issuers — Cook Islands, Niue, Palau — as vehicles for collector gold at accessible price points. The attribution of the painting has its own history: "The Man with the Golden Helmet" was considered a Rembrandt for nearly three centuries before technical analysis in 1985 determined it was almost certainly the work of a pupil from his workshop, sharply revising its art-historical standing without diminishing its popularity at the Gemäldegalerie in Berlin.