Catalogus
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| Uitgever | Bank Al-Maghrib |
|---|---|
| Jaar | 1965 |
| Type | Coin pattern |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Arabic |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Reeded |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Bank Al-Maghrib commissioned pattern strikes in gold during the mid-1960s as Hassan II worked to consolidate Morocco's post-independence monetary institutions — the dirham itself had only been reintroduced in 1960, replacing the franc after the protectorate era. Essai pieces from this period were produced in extremely limited numbers, primarily for archival and official presentation purposes rather than any anticipated circulation.
The first portrait type was superseded relatively quickly, making this particular essai a transitional artifact from the earliest years of Hassan II's coinage program.