Catalog
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
| Issuer | Bank Al-Maghrib |
|---|---|
| Year | 1965 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Coin alignment ↑↓ |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Log in to see details |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Arabic |
| Reverse lettering | Log in to see details |
| Edge | Log in to see details |
| Mint | Log in to see details |
| Mintage | 1384 (1965) |
| Additional information |
Bank Al-Maghrib commissioned pattern strikes in gold during the mid-1960s as Hassan II worked to consolidate Morocco's post-independence monetary institutions — the dirham itself had only been reintroduced in 1960, replacing the franc after the protectorate era. Essai pieces from this period were produced in extremely limited numbers, primarily for archival and official presentation purposes rather than any anticipated circulation.
The first portrait type was superseded relatively quickly, making this particular essai a transitional artifact from the earliest years of Hassan II's coinage program.