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| 表面の説明 | Vignette at left centre of a standing dromedary camel with two younger camels in a desert setting, rendered in intaglio on a green guilloche underprint. A multicoloured geometric panel at centre carries the denomination in large Arabic calligraphy, flanked by arabesque ornamental borders and the governor's signature below. Arabic inscriptions of the bank name and issuing authority appear across the upper register, with numeral 5 rosettes at lower left and right corners. |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 署名 | ログイン して詳細を見る |
| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | Heraldic falcon watermark visible when held to light |
| バリエーション | ログイン して詳細を見る |
| コメント |
Thomas De La Rue had printed Libyan currency since the Kingdom period, and the relationship continued well into the Gaddafi years despite the regime's loudly anti-Western posture. This note appeared a decade after the 1969 coup, by which point the Central Bank had fully replaced the old Libyan Arab Bank as the sole currency authority — a consolidation driven as much by political symbolism as by monetary restructuring.
The P#45 series is not scarce in circulated grades, but uncirculated examples with clean watermark registration are less routine than the survival numbers might suggest.