目录
为什么需要注册?只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证!
| 正面描述 | A full-bodied American bison (buffalo) stands in profile facing left, rendered in high relief with pronounced musculature and shaggy mane. The animal stands on a raised ground line occupying the central field. The arc legend UNITED·STATES·OF·AMERICA runs along the upper periphery, with E PLURIBUS UNUM inscribed in two lines to the right of the bison's hindquarters. The word COPY appears in bold raised letters along the lower periphery, identifying this piece as a modern fantasy reproduction. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | UNITED·STATES·OF·AMERICA E PLURIBUS UNUM COPY |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Hobo nickels carved from Buffalo nickels became a recognizable folk art tradition during the Depression, when itinerant workers — the very population the nickname implies — had both the idle time and the motivation to transform low-value coins into tradeable curiosities. The Buffalo nickel's thick relief and deep fields made it the preferred blank for carvers; the high cheekbone structure of the Native American portrait lent itself to dramatic reworking with minimal metal removal.
Skeleton soldiers are among the more labor-intensive variants, requiring careful undercutting to suggest hollow orbits and exposed bone structure. Original Depression-era examples are distinguished from the flood of later tourist-trade and contemporary artist pieces largely by tool mark patina and edge wear consistent with actual handling.