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40 Kruna overprint on 10 Dinara
| Uitgever | Ministry of Finance of the Kingdom of Serbs, Croats and Slovenes |
|---|---|
| Jaar | 1919 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Kruna (1919) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Entirely blue intaglio design with a densely worked guilloche background of intertwining vine and floral motifs filling the entire field. A large central medallion encloses the denomination numeral '10' above the word 'DINARS', surrounded by concentric ornamental rings. Decorative vases with fruit and grape clusters are set within the left and right panels, and a red letterpress Kruna overprint is applied across the lower central area. |
| Opschrift keerzijde | 10 DINARS КРУНА 40 KRUNA KRON (Translation: 10 DINARS red overprint KRUNA 40 KRUNA KRON) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
When the Kingdom of Serbs, Croats and Slovenes absorbed the former Austro-Hungarian territories in 1919, it faced an immediate currency tangle: Croatian and Slovenian populations held crowns, Serbs held dinara, and a unified monetary system existed only on paper. The stopgap was this — Serbian 10 Dinara notes of the 1914 Narodna Banka issue overstamped with a 40 Kruna equivalency, fixing a conversion rate of 4 crowns to the dinar for territories transitioning out of Austro-Hungarian circulation.
Menci Clement Crnčić, the Croatian painter and graphic artist, had originally designed the underlying note before the war. The overprint was applied by A. Haase in Prague, a logical choice given the newly formed state's close ties with Czechoslovakia and its more developed printing infrastructure.