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| 表面の説明 | ログイン して詳細を見る |
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| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Entirely blue intaglio design with a densely worked guilloche background of intertwining vine and floral motifs filling the entire field. A large central medallion encloses the denomination numeral '10' above the word 'DINARS', surrounded by concentric ornamental rings. Decorative vases with fruit and grape clusters are set within the left and right panels, and a red letterpress Kruna overprint is applied across the lower central area. |
| 裏面の銘文 | 10 DINARS КРУНА 40 KRUNA KRON (Translation: 10 DINARS red overprint KRUNA 40 KRUNA KRON) |
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| 偽造防止技術 | ログイン して詳細を見る |
| 偽造防止の説明 | ログイン して詳細を見る |
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When the Kingdom of Serbs, Croats and Slovenes absorbed the former Austro-Hungarian territories in 1919, it faced an immediate currency tangle: Croatian and Slovenian populations held crowns, Serbs held dinara, and a unified monetary system existed only on paper. The stopgap was this — Serbian 10 Dinara notes of the 1914 Narodna Banka issue overstamped with a 40 Kruna equivalency, fixing a conversion rate of 4 crowns to the dinar for territories transitioning out of Austro-Hungarian circulation.
Menci Clement Crnčić, the Croatian painter and graphic artist, had originally designed the underlying note before the war. The overprint was applied by A. Haase in Prague, a logical choice given the newly formed state's close ties with Czechoslovakia and its more developed printing infrastructure.