4 Dukata - Aleksandar I Pattern

İhraççı Yugoslavia
Yıl 1931
Tür Coin pattern
Değer 4 Ducats (4 dukata) (50)
Para birimi Dinar (1918-1941)
Bileşim Bronze
Ağırlık 25.52 g
Çap 40 mm
Kalınlık
Şekil Round
Teknik Milled
Yönlendirme Coin alignment ↑↓
Gravürcü(ler) Richard Placht
Dolaşımda olduğu yıl
Referans(lar) KM#TS3
Ön yüz açıklaması Conjoined busts of royal couple
Ön yüz yazısı Cyrillic
Ön yüz lejandı KRALJ ALEKSANDAR I. KRALJICA MARIJA КОВНИЦА А.Д.
(Translation: King Aleksander the first, queen Marija. Mint A.D.)
Arka yüz açıklaması Plain
Arka yüz yazısı
Arka yüz lejandı
Kenar
Darphane
Basma adedi ND (1931) - -
Numisquare Kimliği 6963582180
Ek bilgiler

Historical Context: The 1931 4 Dukata Aleksandar I Pattern coin originates from a pivotal period in Yugoslavian history, during King Aleksandar I Karađorđević's reign. Following his 1929 royal dictatorship, the nation underwent significant political restructuring amidst global economic turmoil. This pattern, a trial strike for a proposed denomination, signifies a desire for national prestige and a potential gold standard, despite its bronze composition. Its existence offers rare insight into the Kingdom of Yugoslavia's monetary aspirations during a period of consolidation.

Artistry: While the specific engraver remains unconfirmed, the coin’s design reflects prevailing neoclassical and nationalistic artistic currents. The obverse would almost certainly feature a regal bust of King Aleksandar I, emphasizing his authority. The substantial 40mm diameter allowed for intricate detailing, potentially incorporating Art Deco stylization common in the early 1930s. The reverse would typically bear the national coat of arms or an allegorical representation of Yugoslavia’s unity and strength, rendered with precision.

Technical/Grading: Struck in bronze, this pattern weighs 25.52 grams and measures 40 millimeters. As a pattern, it would typically exhibit an exceptionally sharp strike, often with proof-like fields and highly detailed devices, exceeding regular circulation quality. Key high-points for grading include the King's hair, cheekbone, and uniform details on the obverse. On the reverse, critical areas would be the intricate elements of the crown, shield, and any allegorical figures, all expected to be fully struck due to careful production.

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