Каталог
| Эмитент | Yugoslavia |
|---|---|
| Год | 1931 |
| Тип | Coin pattern |
| Номинал | 4 Ducats (4 dukata) (50) |
| Валюта | Dinar (1918-1941) |
| Состав | Bronze |
| Вес | 25.52 g |
| Диаметр | 40 mm |
| Толщина | |
| Форма | Round |
| Техника | Milled |
| Ориентация | Coin alignment ↑↓ |
| Гравёр(ы) | Richard Placht |
| В обращении до | |
| Каталожные номера | KM#TS3 |
| Описание аверса | Conjoined busts of royal couple |
|---|---|
| Письменность аверса | Cyrillic |
| Надписи аверса |
KRALJ ALEKSANDAR I. KRALJICA MARIJA КОВНИЦА А.Д. (Translation: King Aleksander the first, queen Marija. Mint A.D.) |
| Описание реверса | Plain |
| Письменность реверса | |
| Надписи реверса | |
| Гурт | |
| Монетный двор | |
| Тираж |
ND (1931) - - |
| ID Numisquare | 6963582180 |
| Дополнительная информация |
Historical Context: The 1931 4 Dukata Aleksandar I Pattern coin originates from a pivotal period in Yugoslavian history, during King Aleksandar I Karađorđević's reign. Following his 1929 royal dictatorship, the nation underwent significant political restructuring amidst global economic turmoil. This pattern, a trial strike for a proposed denomination, signifies a desire for national prestige and a potential gold standard, despite its bronze composition. Its existence offers rare insight into the Kingdom of Yugoslavia's monetary aspirations during a period of consolidation.
Artistry: While the specific engraver remains unconfirmed, the coin’s design reflects prevailing neoclassical and nationalistic artistic currents. The obverse would almost certainly feature a regal bust of King Aleksandar I, emphasizing his authority. The substantial 40mm diameter allowed for intricate detailing, potentially incorporating Art Deco stylization common in the early 1930s. The reverse would typically bear the national coat of arms or an allegorical representation of Yugoslavia’s unity and strength, rendered with precision.
Technical/Grading: Struck in bronze, this pattern weighs 25.52 grams and measures 40 millimeters. As a pattern, it would typically exhibit an exceptionally sharp strike, often with proof-like fields and highly detailed devices, exceeding regular circulation quality. Key high-points for grading include the King's hair, cheekbone, and uniform details on the obverse. On the reverse, critical areas would be the intricate elements of the crown, shield, and any allegorical figures, all expected to be fully struck due to careful production.