4 Bese - Victor Emmanuel III

Emitent Italian Somaliland
Rok 1909-1924
Typ Standard circulation coin
Hodnota 4 Bese (0.04)
Měna Rupia (1893-1925)
Složení Bronze
Hmotnost 10 g
Průměr 30 mm
Tloušťka
Tvar Round
Technika Milled
Orientace
Rytci Luigi Giorgi
V oběhu do
Reference KM#3
Popis líce Half-bust of Vittorio Emanuele III facing left.
Písmo líce Latin
Opis líce VITTORIO·EMANVELE·III·RE·D` ITALIA
(Translation: Vittorio Emanuele III King of Italy)
Popis rubu
Písmo rubu Arabic, Latin
Opis rubu الصومال الإيطالي ٤ بيزا 4 BESE 1923 SOMALIA ITALIANA
Hrana Smooth
Mincovna R
Rome, Italy (476-date)
Náklad 1909 R - - 250 000
1910 R - - 250 000
1913 R - - 50 000
1921 R - - 200 000
1923 R - - 250 000
1924 R - - 750 000
ID Numisquare 1403851730
Další informace

Historical Context: The 4 Bese coin, issued for Italian Somaliland between 1909 and 1924, is a tangible artifact of Italy's colonial ambitions under King Victor Emmanuel III. This period marked the consolidation of Italian influence in East Africa. The issuance of distinct coinage, denominated in Bese, underscored the separate economic administration of the territory from metropolitan Italy, facilitating local commerce and asserting sovereign presence. Victor Emmanuel III, an avid numismatist, oversaw a prolific period of coinage, including these colonial issues.

Artistry: The design of the 4 Bese coin reflects the prevailing neoclassical style of early 20th-century European coinage, likely executed by a master engraver from the Regia Zecca (Rome Mint). The obverse typically features a dignified bare head portrait of King Victor Emmanuel III, facing right, rendered with classical precision. The reverse displays the denomination "4 BESE" and the date, often encircled by a wreath or other decorative motifs, accompanied by the legend "SOMALIA ITALIANA." The aesthetic combines imperial authority with functional clarity for colonial circulation.

Technical/Grading: Struck in bronze with a substantial 30mm diameter and 10g weight, this coin presents specific high-points for grading. On the obverse, these include the highest strands of hair above the ear, the ear itself, and the cheekbone. On the reverse, the central elements of the wreath and the raised lettering of the denomination are critical. While generally well-struck, bronze colonial issues can sometimes exhibit softer details, particularly in finer hair strands, due to die wear. Surface preservation is key, as bronze is susceptible to environmental corrosion.

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