Catalogue
| Émetteur | Lippe |
|---|---|
| Année | 1595-1598 |
| Type | Standard circulation coin |
| Valeur | 3 Pfennigs (3 Pfennige) (1⁄96) |
| Devise | Thaler (1413-1788) |
| Composition | Silver |
| Poids | 0.75 g |
| Diamètre | 14 mm |
| Épaisseur | |
| Forme | Round |
| Technique | |
| Orientation | |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | MB#18 |
| Description de l’avers | Large Lippe rose, legend around. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | +S. C. E. N. D. D(E). L. |
| Description du revers | Imperial orb with 96, date divided by cross on orb. |
| Écriture du revers | |
| Légende du revers | |
| Tranche | |
| Atelier | |
| Tirage |
1595 - - 1598 - - |
| ID Numisquare | 1249272180 |
| Informations supplémentaires |
Historical Context: This 3 Pfennig coin, issued 1595-1598, hails from the reign of Simon VI, Count of Lippe (1563-1613). Simon VI was an enlightened ruler, known for his intellectual pursuits and modernization within his territory. His era, the late 16th century, saw increasing autonomy for German states amidst post-Reformation tensions. This fractional silver coinage underscored Lippe's sovereign rights, facilitating daily commerce and reflecting a stable regional economy.
Artistry: Given its diminutive 14mm size, the engraver was likely an anonymous local die-cutter, adhering to the late German Renaissance numismatic style. Design elements prioritized legibility. The obverse typically featured a simplified bust of Count Simon VI or, more commonly, his monogram or the Lippe rose from his coat of arms. The reverse displayed the "3 PFEN" denomination and date, often within a straightforward legend, embodying the functional aesthetics of regional coinage.
Technical/Grading: Struck on a light 0.75 gram silver flan, the technical strike quality of these 3 Pfennig pieces is often inconsistent. High-points for wear include prominent features of the central device, such as the Lippe rose petals or monogram. Rapid manual striking frequently resulted in off-center strikes and weak areas, especially at the rims or in peripheral legends. Hand-cut planchets commonly show irregular shapes. Significant circulation wear is typical, often obscuring finer details and leading to lower preservation.