目录
| 发行方 | Fiji |
|---|---|
| 年份 | 1947 |
| 类型 | Standard circulation coin |
| 面值 | 3 Pence (1⁄80) |
| 货币 | Pound (1873-1969) |
| 材质 | Nickel brass (79% Copper, 20% Zinc, 1% Nickel) |
| 重量 | 6.16 g |
| 直径 | 21.19 mm |
| 厚度 | 2.4 mm |
| 形状 | Dodecagonal (12-sided) |
| 制作工艺 | Milled |
| 方向 | Medal alignment ↑↑ |
| 雕刻师 | Obverse: Percy Metcalfe Reverse: George James Berry |
| 流通至 | 30 June 1969 |
| 参考资料 | KM#15 |
| 正面描述 | Crowned head left |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | GEORGE VI KING EMPEROR |
| 背面描述 | Native dwelling, date above, denomination below |
| 背面文字 | Latin |
| 背面铭文 | FIJI 1947 THREE PENCE |
| 边缘 | Plain |
| 铸币厂 | |
| 铸造量 |
1947 - Minted in 1948 - 450 000 1947 - Proof - |
| Numisquare 编号 | 4194207610 |
| 附加信息 |
Historical Context: The 1947 Fiji 3 Pence coin was issued during the reign of King George VI, a pivotal post-World War II period for the British Empire. As a British Crown Colony, Fiji’s currency system remained intrinsically linked to the imperial standard. The choice of nickel brass for this issue reflects the economic realities and material shortages following the war, moving away from more precious metals. This coin served as essential circulating currency, facilitating daily commerce within the Fijian islands and symbolizing the enduring, albeit evolving, imperial connection.
Artistry: The obverse features the dignified bare head effigy of King George VI facing left, masterfully sculpted by Thomas Humphrey Paget, characteristic of traditional British numismatic portraiture. The reverse showcases a distinctive traditional Fijian Tapa Cloth design, a significant cultural motif, likely rendered by a local artist or mint engraver to represent the colony's unique identity. This fusion of imperial authority and indigenous artistry creates a coin that is both a functional instrument of trade and a cultural artifact.
Technical/Grading: Struck in nickel brass (79% Copper, 20% Zinc, 1% Nickel), weighing 6.16 grams and measuring 21.19 mm, this coin exhibits typical characteristics of its alloy. High-points susceptible to wear include the King’s hair above the ear and cheekbone on the obverse, and the central raised patterns of the Tapa Cloth design on the reverse. Well-struck examples display sharp details in the intricate reverse motif and clear definition in the King's effigy. Lower grades often show flattening in these areas, diminishing the coin’s original artistic intent.