Catalogus
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| Uitgever | Royal Mint (London) |
|---|---|
| Jaar | 1955-1964 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Obverse: Mary Gillick Reverse: Paul Vincze |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Latin |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Smooth |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
The threepenny bit in copper-nickel was a transitional awkwardness for British coinage — the denomination already had a dodecagonal brass version circulating domestically, making this round cupro-nickel piece exclusively a colonial issue, struck for territories where the brass coin had no legal tender status. By the mid-1950s that list was shrinking fast, as independence movements across British Africa and the Caribbean were dismantling the administrative structures that had created the demand in the first place. Production quietly ceased in 1964 with almost no official announcement.