| 发行方 | Hohenzollern-Hechingen, Principality of |
|---|---|
| 年份 | 1622 |
| 类型 | Standard circulation coin |
| 面值 | 3 Kreuzers (0.05) |
| 货币 | Thaler |
| 材质 | Silver |
| 重量 | |
| 直径 | 20 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | KM#13 |
| 正面描述 | Bust facing right. |
|---|---|
| 正面文字 | Latin |
| 正面铭文 | IO:GEORG:COM:IN.ZOLL:S.R.I |
| 背面描述 | Value (3) in legend below eagle. |
| 背面文字 | Latin |
| 背面铭文 | FERD:II.ROM / IMP:S.A.1622 |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
1622 - - |
| Numisquare 编号 | 1456779390 |
| 附加信息 |
Historical Context: The 1622 3 Kreuzers of John George of Hohenzollern-Hechingen emerged during the turbulent Kipper- und Wipperzeit, at the outset of the Thirty Years' War (1618-1648). John George, then Count (later Prince in 1623), steered his small principality through immense economic upheaval characterized by rampant currency debasement and inflation across the Holy Roman Empire. This modest silver issue reflects the principality's struggle to maintain monetary order amidst pervasive financial instability driven by incessant warfare.
Artistry: This 3 Kreuzers' design, typical for its era and small denomination, was likely by an anonymous local die cutter at the Hechingen mint. Stylistically, it blends late German Renaissance numismatic traditions with the emerging Baroque aesthetic, constrained by its 20mm diameter. The obverse commonly features a simplified bust of John George or his princely coat of arms. The reverse typically displays the denomination, date, and often an imperial eagle or a cross, signifying the principality's status within the Holy Roman Empire.
Technical/Grading: As a small silver denomination from the Kipper- und Wipperzeit, the technical strike quality of this 3 Kreuzers varies significantly. High-points for assessment include details of John George's effigy (hair, crown, facial features) or the intricate elements of the coat of arms. On the reverse, clarity of numerals, lettering, and heraldic devices are critical. Common flaws include weak strikes, off-center alignment, or planchet imperfections, reflecting economic pressures and less rigorous minting standards of this tumultuous period.