Volledige afbeeldingen bekijken — gratis registratie
Doorgaan met Google — het is gratis of registreer met e-mail

250 Gulden

Uitgever Centrale Bank van Suriname
Jaar 1988
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Afmetingen Log in om details te zien
Vorm Log in om details te zien
Drukker Thomas De La Rue & Company, London, United Kingdom
Ontwerper(s) Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Blue-gray on multicolor underprint. Portrait vignette of Anton de Kom (Cornelis Gerhard Anton de Kom, 1888–1945) at left, with a militia scene at right and a row of buildings rendered across the lower margin. The design incorporates intricate guilloche patterning throughout the underprint.
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde A large toucan perched among tropical hibiscus blossoms occupies the left portion of the design, set against a radiating sunburst guilloche background. To the right, a public address scene shows an orator gesturing before a gathered crowd, with a colonial-style building visible in the middle ground. The lower border carries a row of intricate multicolor guilloche rosettes, with the denomination numeral 250 appearing at both lower left and upper right.
Opschrift keerzijde Log in om details te zien
Handtekening(en) Log in om details te zien
Beveiligingstype Log in om details te zien
Beschrijving beveiliging Log in om details te zien
Varianten Log in om details te zien
Opmerkingen

By 1988, Suriname's economy was under severe strain — the Dutch had suspended development aid in 1982 following the December Murders, when military strongman Dési Bouterse's regime executed fifteen prominent opponents. The 250 Gulden denomination entered circulation in that climate of fiscal pressure and political isolation, filling a gap left by the withdrawal of foreign financial cooperation.

Thomas De La Rue's involvement was unremarkable in technical terms — the watermark security is minimal for a high-denomination note of this period. The series is not scarce, and heavily circulated examples are common.