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25 Mil Réis 3rd.Banco do Brazil, Series A,B,C
| Emittent | Banco do Brazil |
|---|---|
| Jahr | 1856 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | 25 000 Réis (25 000) |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Anmelden um Details zu sehen |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Printed in black and red using a combination of lithography and intaglio (taille-douce). An oval portrait vignette of Amerigo Vespucci occupies the right side, while the left side carries a vignette of two sailors on a port pier. The upper centre bears figures of Saint Sebastian alongside a locomotive and train composition. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Printed entirely in shades of red and orange. The centre is occupied by a large scalloped guilloche medallion bearing the bold numeral 25 in ornate script, flanked on each side by intricate circular lathe-work underprints repeating the numeral 25. A dense text underprint of the denomination fills the background, and a decorative border of repeated 25 counters frames the entire note. The printer's imprint reads "Compañia Americana de Billetes de Banco Nueva York" along the lower margin. |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Anmelden um Details zu sehen |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The Banco do Brazil of 1856 was not the modern state institution but a private bank chartered in 1853 — Brazil's third entity to carry that name. This 25 Mil Réis note, issued across three series, was produced by the American Bank Note Company at a moment when ABNCo was still consolidating its dominance over South American currency contracts, having absorbed several competing New York security printers in the preceding years.
The three-series structure (A, B, C) suggests successive authorizations rather than a single print run, likely reflecting the bank's expanding note circulation through the late 1850s before mounting pressures on convertibility began to undermine public confidence in private Brazilian paper.