Catalog
See full images - free registration
Continue with Google - no registration!
or register with email
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
25 Mil Réis 3rd.Banco do Brazil, Series A,B,C
| Issuer | Banco do Brazil |
|---|---|
| Year | 1856 |
| Type | Log in to see details |
| Value | Log in to see details |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Size | Log in to see details |
| Shape | Log in to see details |
| Printer | Log in to see details |
| Designer(s) | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | 1889 |
| Reference(s) | Log in to see details |
| Obverse description | Printed in black and red using a combination of lithography and intaglio (taille-douce). An oval portrait vignette of Amerigo Vespucci occupies the right side, while the left side carries a vignette of two sailors on a port pier. The upper centre bears figures of Saint Sebastian alongside a locomotive and train composition. |
|---|---|
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse lettering | 25 Compañia Americana de Billetes de Banco Nueva York |
| Signature(s) | Log in to see details |
| Protection type | Log in to see details |
| Protection description | Log in to see details |
| Variants | Log in to see details |
| Comments |
The Banco do Brazil of 1856 was not the modern state institution but a private bank chartered in 1853 — Brazil's third entity to carry that name. This 25 Mil Réis note, issued across three series, was produced by the American Bank Note Company at a moment when ABNCo was still consolidating its dominance over South American currency contracts, having absorbed several competing New York security printers in the preceding years.
The three-series structure (A, B, C) suggests successive authorizations rather than a single print run, likely reflecting the bank's expanding note circulation through the late 1850s before mounting pressures on convertibility began to undermine public confidence in private Brazilian paper.