| Uitgever | Tylis, Kingdom of |
|---|---|
| Jaar | 225 BC - 218 BC |
| Type | Standard circulation coin |
| Waarde | |
| Valuta | Drachm |
| Samenstelling | Bronze |
| Gewicht | 6.58 g |
| Diameter | 22 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | BMC Greek#207.1 |
| Beschrijving voorzijde | Laureate head of Apollo right |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Nike standing left, holding wreath; monogram before |
| Schrift keerzijde | |
| Opschrift keerzijde | BAΣIΛEΩΣ - KAΥAΡOΥ |
| Rand | |
| Muntplaats | |
| Oplage |
ND (225 BC - 218 BC) - - |
| Numisquare-ID | 1565830120 |
| Aanvullende informatie |
Historical Context: This Æ22 bronze coin was issued by Kavaros, the last king of the Celtic Kingdom of Tylis (225-218 BC). Tylis, established by Celtic invaders in Thrace, represented a significant, transient Celtic power amidst Hellenistic states. Kavaros's coinage reflects an an attempt to integrate into the broader Hellenistic economic system. This coin is a tangible record of a unique geopolitical interlude, preceding the kingdom's ultimate collapse around 218 BC.
Artistry: While the engraver is anonymous, this Tylis coin blends Hellenistic stylistic conventions with Celtic interpretation. The obverse typically features a laureate head of Apollo, rendered in a classical Greek manner, often with a subtle, less refined execution characteristic of provincial mints. The reverse commonly depicts a bow and quiver or an animal, reflecting local or adopted symbols. The design aims for legibility and familiarity within the Hellenistic trade network, despite its non-Greek origin.
Technical/Grading: Struck on a 22mm bronze flan (6.58 grams), this issue frequently displays variable strike quality. For the obverse, high-points include Apollo's hair curls, forehead, and cheekbone. On the reverse, details of the bow or animal's musculature are critical for assessing wear. Well-centered examples with a full strike are desirable, as Tylis bronze issues often suffer from off-centering, uneven strikes, and planchet imperfections. Corrosion is a common factor, making well-preserved surfaces particularly prized.