| Emisor | Tylis, Kingdom of |
|---|---|
| Año | 225 BC - 218 BC |
| Tipo | Standard circulation coin |
| Valor | |
| Moneda | Drachm |
| Composición | Bronze |
| Peso | 6.58 g |
| Diámetro | 22 mm |
| Grosor | |
| Forma | Round (irregular) |
| Técnica | Hammered |
| Orientación | |
| Grabador(es) | |
| En circulación hasta | |
| Referencia(s) | BMC Greek#207.1 |
| Descripción del anverso | Laureate head of Apollo right |
|---|---|
| Escritura del anverso | |
| Leyenda del anverso | |
| Descripción del reverso | Nike standing left, holding wreath; monogram before |
| Escritura del reverso | |
| Leyenda del reverso | BAΣIΛEΩΣ - KAΥAΡOΥ |
| Canto | |
| Casa de moneda | |
| Tirada |
ND (225 BC - 218 BC) - - |
| ID de Numisquare | 1565830120 |
| Información adicional |
Historical Context: This Æ22 bronze coin was issued by Kavaros, the last king of the Celtic Kingdom of Tylis (225-218 BC). Tylis, established by Celtic invaders in Thrace, represented a significant, transient Celtic power amidst Hellenistic states. Kavaros's coinage reflects an an attempt to integrate into the broader Hellenistic economic system. This coin is a tangible record of a unique geopolitical interlude, preceding the kingdom's ultimate collapse around 218 BC.
Artistry: While the engraver is anonymous, this Tylis coin blends Hellenistic stylistic conventions with Celtic interpretation. The obverse typically features a laureate head of Apollo, rendered in a classical Greek manner, often with a subtle, less refined execution characteristic of provincial mints. The reverse commonly depicts a bow and quiver or an animal, reflecting local or adopted symbols. The design aims for legibility and familiarity within the Hellenistic trade network, despite its non-Greek origin.
Technical/Grading: Struck on a 22mm bronze flan (6.58 grams), this issue frequently displays variable strike quality. For the obverse, high-points include Apollo's hair curls, forehead, and cheekbone. On the reverse, details of the bow or animal's musculature are critical for assessing wear. Well-centered examples with a full strike are desirable, as Tylis bronze issues often suffer from off-centering, uneven strikes, and planchet imperfections. Corrosion is a common factor, making well-preserved surfaces particularly prized.