Catalog
| Issuer | Tarsos |
|---|---|
| Year | 130 BC - 80 BC |
| Type | Standard circulation coin |
| Value | Dichalkon (1⁄24) |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 6.54 g |
| Diameter | 21 mm |
| Thickness | 3 mm |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Medal alignment ↑↑ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | GCV#5672 |
| Obverse description | Draped, veiled and turreted bust of Tyche right |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Sandan standing right on horned, winged animal, within a pyramidal monument surmounted by an eagle |
| Reverse script | |
| Reverse lettering | |
| Edge | |
| Mint | |
| Mintage |
ND (130 BC - 80 BC) - - |
| Numisquare ID | 9977816780 |
| Additional information |
Historical Context: This Æ21 from Tarsos, struck between 130 BC and 80 BC, belongs to the late Hellenistic period, a time of significant geopolitical flux in Cilicia. As Seleucid power waned, Tarsos asserted its autonomy, issuing its own bronze coinage to facilitate local commerce. This period predates its later Roman provincial status, reflecting a vibrant, self-governing city-state at the crossroads of major trade routes, a hub of culture and economy in Asia Minor.
Artistry: The design, characteristic of provincial Hellenistic artistry, typically features robust, often idealized representations of local deities or civic personifications. While no specific engraver is attributed, the style reflects the broader artistic trends of the era, emphasizing volume and expression over intricate detail. Common motifs for Tarsos bronzes include heads of Zeus or Athena on the obverse, with a civic emblem or another deity, such as Sandan, on the reverse, rendered with a distinctive local flair.
Technical/Grading: This bronze coin, weighing 6.54 gg and measuring 21 mm, often exhibits characteristics typical of civic bronze issues. High-points susceptible to wear include the hair, forehead, and prominent facial features on obverse portraits, or the raised elements of reverse iconography. Strikes can range from well-centered to slightly off-flan, and the fabric may show minor surface irregularities, reflecting the practical nature of these workhorse denominations rather than the precision of contemporary silver issues.