| Uitgever | Tosa Domain |
|---|---|
| Jaar | 1863 |
| Type | Standard circulation coin |
| Waarde | 200 Mon |
| Valuta | Mon (1863) |
| Samenstelling | Copper (Copper alloy) |
| Gewicht | |
| Diameter | |
| Dikte | |
| Vorm | Oval (With a square hole) |
| Techniek | Cast |
| Oriëntatie | Medal alignment ↑↑ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) |
| Beschrijving voorzijde | Vertical inscription |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde |
土 佐 通 寳 (Translation: Tosa Currency) |
| Beschrijving keerzijde | Vertical denomination |
| Schrift keerzijde | |
| Opschrift keerzijde |
當 二 百 (Translation: Equal Two Hundred) |
| Rand | |
| Muntplaats | |
| Oplage |
ND (1863) - - |
| Numisquare-ID | 1355244980 |
| Aanvullende informatie |
Historical Context: The 200 Mon 'Tosa-tsūhō' was issued in 1863 during the tumultuous Bakumatsu period, a critical juncture preceding the Meiji Restoration. Under the leadership of Yamanouchi Toyonori, the Tosa Domain was a pivotal force in the *Sonnō jōi* movement. This high-denomination copper coin reflects the financial pressures and increasing economic autonomy of powerful domains, as the Tokugawa Shogunate's central authority waned. Its issuance underscores Tosa's significant role in funding political and military initiatives during this era of profound national transformation.
Artistry: The design of the 'Tosa-tsūhō' exemplifies the traditional Japanese calligraphic style prevalent in *tsūhō* coinage. The obverse features the characters "Tosa-tsūhō" (土佐通寶), read top-to-bottom, right-to-left, rendered with elegant and precise strokes. The reverse clearly states its denomination, "Nihyaku Mon" (二百文), or "Two Hundred Mon." While the engraver remains anonymous, the artistry reflects the skilled craftsmanship typical of domainal mints, prioritizing clear and aesthetically pleasing kanji characters over elaborate pictorial elements.
Technical/Grading: As a cast coin, the technical quality of the 'Tosa-tsūhō' is assessed by the crispness and definition of its calligraphic characters. High-points for wear or strike quality include the raised strokes of the kanji and the clarity of the inner and outer rims. Collectors should examine for a sharp separation of characters from the field, minimal pitting, and evidence of careful finishing, such as the absence of excessive casting flash or well-filed sprue marks. A pleasing, original patina is also a desirable attribute.