Catalogue
| Émetteur | Tosa Domain |
|---|---|
| Année | 1863 |
| Type | Standard circulation coin |
| Valeur | 200 Mon |
| Devise | Mon (1863) |
| Composition | Copper (Copper alloy) |
| Poids | |
| Diamètre | |
| Épaisseur | |
| Forme | Oval (With a square hole) |
| Technique | Cast |
| Orientation | Medal alignment ↑↑ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) |
| Description de l’avers | Vertical inscription |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers |
土 佐 通 寳 (Translation: Tosa Currency) |
| Description du revers | Vertical denomination |
| Écriture du revers | |
| Légende du revers |
當 二 百 (Translation: Equal Two Hundred) |
| Tranche | |
| Atelier | |
| Tirage |
ND (1863) - - |
| ID Numisquare | 1355244980 |
| Informations supplémentaires |
Historical Context: The 200 Mon 'Tosa-tsūhō' of 1863 emerged during the tumultuous Bakumatsu period, a critical juncture preceding the Meiji Restoration. Under Lord Yamanouchi Toyoshige, the Tosa Domain, a powerful entity, issued its own coinage to address severe economic pressures and national currency shortages. This issuance highlighted domainal autonomy and financial independence from the weakening Shogunate, reflecting political fragmentation. These large-denomination copper coins were crucial for local commerce.
Artistry: The design adheres to the traditional Japanese cash coin aesthetic, influenced by Chinese prototypes, featuring a central square hole. The obverse displays the four kanji characters "Tosa-tsūhō" (土佐通寶), read top-bottom-right-left, executed in a robust, functional calligraphic style typical of period domainal issues. While specific engravers are rarely attributed, the consistent script suggests skilled local artisans. The reverse is typically plain or bears a simple value mark, prioritizing clarity and utility over elaborate decoration.
Technical/Grading: As a cast copper alloy coin, the 'Tosa-tsūhō' exhibits qualities inherent to its manufacturing. High-points for assessment include the raised characters and outer rim. Grading focuses on the definition and clarity of the kanji strokes, overall planchet evenness, and the integrity of the central square hole. Variations in casting quality, such as minor pitting or flow lines, are common for these domainal issues. A well-preserved example shows sharp character definition, minimal wear to raised elements, and an attractive, stable patina.