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200 Cruzeiros Thesouro Nacional, 2nd print, Autographed
| Uitgever | Tesouro Nacional (National Treasury of Brazil) |
|---|---|
| Jaar | 1949 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Cruzeiro (1942-1967) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | REPÚBLICA DOS ESTADOS UNIDOS DO BRASIL TESOURO NACIONAL 200 200 DUZENTOS CRUZEIROS D.PEDRO I VALOR RECEBIDO THOMAS DE LA RUE & COMPANY, LIMITED, LONDON. (Translation: Republic of the United States of Brazil / National Treasury / 200 / 200 / Two Hundred Cruzeiros / D. Pedro I / Value Received / Thomas De La Rue & Company, Limited, London.) |
| Beschrijving keerzijde | Olive-green intaglio print. The central vignette reproduces the celebrated painting "Independência ou Morte" (Independence or Death) by Pedro Américo de Figueiredo e Melo, commonly known as the "Grito do Ipiranga," which depicts Dom Pedro I on horseback proclaiming Brazil's independence. The denomination numeral 200 appears at each corner of the note within guilloche-bordered panels. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Brazil's Tesouro Nacional issued several denominations through Thomas De La Rue in London during the late 1940s, a period when the country's domestic printing capacity was being supplemented — and sometimes bypassed entirely — by British security printers. The "autographed" designation for this second print indicates manuscript signatures applied directly to the note rather than facsimile signatures incorporated into the engraved plate, a practice that was already becoming obsolete at this denomination level by the early 1950s.
The P#147 series is not especially rare, but second-print examples with intact original signatures draw consistent attention from Brazilian specialists.