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200 Cruzados Novos
| Uitgever | Banco Central do Brasil |
|---|---|
| Jaar | 1989 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | 140 × 65 mm |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A detail of the oil painting Pátria (Homeland) by Brazilian painter Pedro Bruno (1888–1949), in which the Brazilian flag is shown being embroidered within a domestic family scene. The composition conveys patriotic sentiment through a figurative, academic painting style reproduced in full colour across the note. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Effigy of the Republic |
| Varianten | Log in om details te zien |
| Opmerkingen |
The cruzado novo lasted barely two years. Introduced in January 1989 as part of the Plano Verão — the Sarney government's third failed attempt to arrest hyperinflation — it replaced the cruzado at par before being itself replaced by the cruzeiro in March 1990. By that point, monthly inflation had exceeded 80%. Notes of this series were issued and spent so rapidly that high-denomination values in any clean state are harder to find than the raw scarcity figures suggest; purchasing power eroded faster than the paper could circulate normally.