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20 Test Note De La Rue Garny, Testschein
| Uitgever | De La Rue Garny |
|---|---|
| Jaar | |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Paper |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Green intaglio print on white paper. Central vignette shows a classical female bust in left profile within an oval guilloche frame, flanked by an elaborate acanthus scroll cartouche bearing the inscription TESTSCHEIN below. Denomination 20 appears in green at upper and lower right, with the printer's name at centre right; a large diagonal red overprint TESTSCHEIN cancels the face. |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Identical green intaglio design on white paper, mirroring the obverse layout with the classical female bust vignette at left within a guilloche oval and central acanthus scroll cartouche inscribed TESTSCHEIN. Denomination 20 in green at upper and lower right, printer's name at centre right; a large diagonal red overprint TESTSCHEIN is applied across the face. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
De La Rue Garny was the Frankfurt-based subsidiary of Thomas De La Rue, established to serve continental European clients who required local production and support. Test notes like this one were produced not for circulation but as technical demonstrations — shown to central bank procurement committees to exhibit paper quality, print registration, and security feature capability without committing to a live design. They carry no legal tender status and were never intended to leave the room in which they were presented.
Surviving examples are collector curiosities rather than monetary artifacts. Their scarcity is a function of how many were printed — typically very few — and how rarely demonstration material was retained rather than destroyed after the pitch concluded.