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| 正面描述 | Central field depicts a faithful reproduction of the Disco de Chinkultic, a pre-Columbian Maya carved stone disk portraying a ballplayer (jugador de pelota) in elaborate ceremonial attire, shown in profile in a dynamic playing posture with a large rubber ball at his feet. The figure is rendered in low relief with intricate Mayan iconographic detailing including feathered headdress, knee and hip padding, and ornamental regalia. A raised circular border frames the central motif, with a circumferential legend in Latin script running along the outer rim. The overall design draws directly from the archaeological artifact housed in the Museo Nacional de Antropologia, Mexico City. |
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| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Mexico's Pattern of Progress series, produced by the Casa de Moneda in the mid-20th century, was a deliberate exercise in showcasing the mint's artistic and technical capabilities to an international audience — part promotional material, part numismatic prestige project. The pelota player subject draws from pre-Columbian Mesoamerican ballgame iconography, a recurring theme in Mexican official coinage and medallic art of the postwar decades as the government actively promoted indigenous heritage as national identity.
Uniface production on a pattern of this type points to a presentation strike rather than a circulation proposal — likely struck for distribution to foreign mints, dignitaries, or collectors rather than submitted for monetary adoption.