Catalog
See full images - free registration
Continue with Google - no registration!
or register with email
Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!
20 Pesos Pattern, Jugador de Pelota, Uniface, Pattern of Progress
| Issuer | Casa de Moneda de México |
|---|---|
| Year | |
| Type | Log in to see details |
| Value | 25 Pesos (25 MXP) |
| Currency | Log in to see details |
| Composition | Log in to see details |
| Weight | Log in to see details |
| Diameter | Log in to see details |
| Thickness | Log in to see details |
| Shape | Log in to see details |
| Technique | Log in to see details |
| Orientation | Log in to see details |
| Engraver(s) | Log in to see details |
| In circulation to | Log in to see details |
| Reference(s) | Log in to see details |
| Obverse description | Central field depicts a faithful reproduction of the Disco de Chinkultic, a pre-Columbian Maya carved stone disk portraying a ballplayer (jugador de pelota) in elaborate ceremonial attire, shown in profile in a dynamic playing posture with a large rubber ball at his feet. The figure is rendered in low relief with intricate Mayan iconographic detailing including feathered headdress, knee and hip padding, and ornamental regalia. A raised circular border frames the central motif, with a circumferential legend in Latin script running along the outer rim. The overall design draws directly from the archaeological artifact housed in the Museo Nacional de Antropologia, Mexico City. |
|---|---|
| Obverse script | Log in to see details |
| Obverse lettering | Log in to see details |
| Reverse description | Log in to see details |
| Reverse script | Log in to see details |
| Reverse lettering | Log in to see details |
| Edge | Plain |
| Mint | Log in to see details |
| Mintage | Log in to see details |
| Additional information |
Mexico's Pattern of Progress series, produced by the Casa de Moneda in the mid-20th century, was a deliberate exercise in showcasing the mint's artistic and technical capabilities to an international audience — part promotional material, part numismatic prestige project. The pelota player subject draws from pre-Columbian Mesoamerican ballgame iconography, a recurring theme in Mexican official coinage and medallic art of the postwar decades as the government actively promoted indigenous heritage as national identity.
Uniface production on a pattern of this type points to a presentation strike rather than a circulation proposal — likely struck for distribution to foreign mints, dignitaries, or collectors rather than submitted for monetary adoption.