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20 Lei Ministry of Finance
| Emittent | Ministerul Finanțelor (Ministry of Finance), Romania |
|---|---|
| Jahr | 1948 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Größe | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Druckerei | Anmelden um Details zu sehen |
| Designer | Ary Murnu |
| Stecher | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Vorderseitenbeschreibung | Circular intaglio vignette at left centre contains a portrait of the Roman emperor Trajan and the Dacian king Decebal in close profile, engraved in a classical medallic style, with foliage ornament below. The denomination numeral '20' appears in large guilloche letterpress at upper right, flanked by a wreath cartouche forming the serial number panel. Two manuscript signature lines are present in the centre field, one for the Minister of Finance and one for the Director General of the Budget and General State Accounting, with the legend 'DOUA ZECI LEI' in bold letterpress along the lower margin. |
|---|---|
| Vorderseitenlegende | Anmelden um Details zu sehen |
| Rückseitenbeschreibung | Anmelden um Details zu sehen |
| Rückseitenlegende | Anmelden um Details zu sehen |
| Unterschrift(en) | Anmelden um Details zu sehen |
| Sicherheitsmerkmal | Watermark |
| Beschreibung der Sicherheitsmerkmale | Anmelden um Details zu sehen |
| Varianten | Anmelden um Details zu sehen |
| Anmerkungen |
The date mismatch here is not an error in the catalog. The note was printed on 30 April 1945 but issued in 1948 under the newly reorganized Ministerul Finanțelor following the communist consolidation of power — a gap that reflects the political turbulence between the end of the war and the formal abolition of the Romanian monarchy in December 1947. The Ministry of Finance issuing currency directly, rather than through the Banca Națională, signals the transitional nature of this period, when central banking infrastructure was being subordinated to state control.
Ary Murnu was a well-regarded Romanian graphic artist whose work appeared across multiple interwar and wartime printing commissions.