Catalogus
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
| Uitgever | Liberia |
|---|---|
| Jaar | 2003 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Round |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | A draped bust of Dolley Payne Todd Madison is portrayed facing slightly to the right, with a secondary effigy of President James Madison depicted in the background field behind her. The legend 'AMERICA'S FIRST LADIES' arcs along the upper rim, with the subject's full name 'DOLLEY PAYNE TODD MADISON' inscribed across the central field. Her term dates '1809-1817' appear below the portrait, and the denomination 'TWENTY DOLLARS' is inscribed along the lower rim. |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | AMERICA`S FIRST LADIES DOLLEY PAYNE TODD MADISON 1809-1817 TWENTY DOLLARS |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Liberia produced an extensive run of commemorative silver issues in the early 2000s targeting the collector market rather than domestic circulation — this piece belongs to a series honoring American First Ladies that was never intended to pass through any cash register in Monrovia. The coins were struck under contract and sold almost entirely to Western collectors through telemarketing and direct-mail channels, a distribution model that generated significant controversy over inflated issue prices relative to melt value.
Dolley Madison's inclusion is historically defensible — she effectively defined the social and diplomatic role of the position during Jefferson's and Madison's administrations. She fled the White House in 1814 with Gilbert Stuart's portrait of Washington hours before British troops burned the building.