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| Emittent | Liberia |
|---|---|
| Jahr | 2003 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Round |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Anmelden um Details zu sehen |
| Aversbeschreibung | Anmelden um Details zu sehen |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | A draped bust of Dolley Payne Todd Madison is portrayed facing slightly to the right, with a secondary effigy of President James Madison depicted in the background field behind her. The legend 'AMERICA'S FIRST LADIES' arcs along the upper rim, with the subject's full name 'DOLLEY PAYNE TODD MADISON' inscribed across the central field. Her term dates '1809-1817' appear below the portrait, and the denomination 'TWENTY DOLLARS' is inscribed along the lower rim. |
| Reversschrift | Anmelden um Details zu sehen |
| Reverslegende | AMERICA`S FIRST LADIES DOLLEY PAYNE TODD MADISON 1809-1817 TWENTY DOLLARS |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Liberia produced an extensive run of commemorative silver issues in the early 2000s targeting the collector market rather than domestic circulation — this piece belongs to a series honoring American First Ladies that was never intended to pass through any cash register in Monrovia. The coins were struck under contract and sold almost entirely to Western collectors through telemarketing and direct-mail channels, a distribution model that generated significant controversy over inflated issue prices relative to melt value.
Dolley Madison's inclusion is historically defensible — she effectively defined the social and diplomatic role of the position during Jefferson's and Madison's administrations. She fled the White House in 1814 with Gilbert Stuart's portrait of Washington hours before British troops burned the building.