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| Uitgever | Tesouro Nacional do Brasil |
|---|---|
| Jaar | 1950 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Cruzeiro (1942-1967) |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Brown on polychrome underprint, executed in intaglio and offset. A central vignette presents the portrait of Marechal Manoel Deodoro da Fonseca, first President of the Republic (1889–1891), set within an ornate decorated frame, with the denomination numeral 20 flanking the portrait on both sides. |
|---|---|
| Opschrift voorzijde | REPÚBLICA DOS ESTADOS ESTADOS UNIDOS DO BRASIL SE PAGARÁ AO PORTADOR DESTA A QUANTIA DE 20 NO TESOURO NACIONAL 20 VINTE CRUZEIROS MARECHAL DEODORO DA FONSECA VALOR RECEBIDO THOMAS DE LA RUE & COMPANY, LIMITED, LONDON. (Translation: Republic of United States of Brazil will be paid to the carrier of this amount of twenty Cruzeiros in the National Treasury Marshal Deodoro da Fonseca Amount Received Thomas De La Rue & Company, Limited, London.) |
| Beschrijving keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
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| Opmerkingen |
Brazil's Tesouro Nacional relied on Thomas De La Rue throughout the mid-century period for its higher-denomination paper, and this second printing of the 20 Cruzeiros follows that arrangement. The "autographed" designation refers to the manuscript signatures applied by treasury officials — a practice the Tesouro maintained long after most issuing authorities had moved to facsimile printed signatures, partly as a fraud-control measure and partly institutional inertia.
Second-printing examples of P#144 are less frequently encountered than the first, though the distinction between printings is often overlooked by generalist collectors unfamiliar with the series.